DAVID CROCCO

President

Dave Crocco founded A.G.E. Post in 2005, with the mission of bringing his decades' worth of knowledge as a re-recording mixer to a studio that could fully facilitate the needs of his diverse clients. Since then, A.G.E. has mixed a wide variety of award winning TV shows, documentaries, and films. Dave’s stellar team currently mixes for networks such as Discovery, Disney, A&E, Netflix, Hulu, CNN, Showtime and MTV. Notable shows include Chrisley Knows BestUnited Shades of America and Leah Remini: Scientology and the Aftermath, for which Dave and his team were nominated for Emmy Awards in 2017 for Outstanding Sound Supervision and Outstanding Sound Editing. Dave has expanded his business to include live production audio services, and A.G.E. is constantly evolving to provide pristine sound for groundbreaking new content and media platforms. After over 25 years in the audio industry, Dave continues to provide his clients with the same commitment and dedication that have always been at the forefront of his work

CHRISTIAN GECOSALA

Studio Manager & Lead Mixer

Christian began his career on the radio. He developed his skills live on-the-air as an audio engineer for KXLU Los Angeles while studying at Loyola Marymount University. He entered the world of post-production at Greystone Communications in his native New York, where he mixed (and colored!) projects for NBC and the Olympics. He has also recorded location sound for a number of projects, from backlots in Hollywood to remote villages in Haiti. Christian joined A.G.E. Post in 2012 and has since mixed for multiple award winning TV series, films, and advertising campaigns.
He cooks, too.

ROLANDO NADAL

Lead Mixer

Since receiving his B.A. in Recording Arts at Loyola Marymount University in Los Angeles, Rolando has been working nonstop as a professional editor and mixer. As a member of AGE since 2014, he has mixed a variety of television shows and independent films and engineered voice over sessions for various forms of media. In 2017, Rolando received a Sound Editing Emmy nomination for his work on Leah Remini: Scientology and the Aftermath. As a musician, he is deeply familiar with the creative aspect of sound, and pairs that knowledge with his technical skills to create lush soundscapes.